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Title:An Introductory History of British Broadcasting
Format Type:Ebook
Author:
Publisher:Routledge
ISBN:0415247926
ISBN 13:
Number of Pages:344
Category:Manga

An Introductory History of British Broadcasting by Andrew Crisell

PDF, EPUB, MOBI, TXT, DOC An Introductory History of British Broadcasting em An Introductory History of British Broadcasting em is a concise and accessible history of British radio and television It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history from the first wireless broadcast in through to recent developments in digital broadcasting and the internet Distinguishing broadcasting from other kinds of mass media and evaluating the way in which audiences have experienced the medium Andrew Crisell considers the nature and evolution of broadcasting the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context This fully updated and expanded second edition includes the latest developments in digital broadcasting and the internet .

oadcasting in a multimedia era and its prospects for the future the concept of public service broadcasting and its changing role in an era of interactivity multiple channels and pay per view an evaluation of recent political pressures on the BBC and ITV duopoly a timeline of key broadcasting events and annotated advice on further reading

  • An Introductory History of British Broadcasting

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An Introductory History of British Broadcasting, Understanding Radio, Radio, Vol. 2, Radio, Vol. 3, Radio, Vol. 1, A Study of Modern Television: Thinking Inside the Box, Liveness and Recording in the Media, Higher: The Tale of a University, Radio, More Than a Music Box: Radio Cultures and Communities in a Multi-Media World
No description available, This resource meets the need for an authoritative reference work to make sense of a rapidly growing and ever more complex corpus of literature and to provide a map of the area as it has emerged and developed, a highly imaginative and often very entertaining book which probably says more than any other available text about the limitations and possibilities of present forms of radio strong Professor Laurie Taylor strong on the first edition of em Understanding Radio em br br Understanding Radio is a fully revised edition of a key radio textbook Andrew Crisell explores how radio processes genres such as news drama and comedy in highly distinctive ways and how the listener s use of the medium has important implications for audience studies He explains why the sound medium even more than television has played such a crucial role in the development of modern popular culture br br The book also introduces students to the broadcasting landscape in a time of great change for national and local radio provision em Understanding Radio em will be essential reading both to students of media and to those with a practical involvement in programme production This new edition includes br br a revised history of radio bringing the reader right up to date br br a brand new chapter on talk and music radio the format adopted by many of the new stations br br strong Andrew Crisell br br strong lectures in communication and media studies at the University of Sunderland He has written widely on radio and co founded Wear FM winner of the Sony Radio Station of the Year award, Over the last sixty years or so academic interest in the mass media has burgeoned It is not perhaps surprising that this interest at first focused principally on the visual media of film and television where it has remained intensive Nevertheless serious thinking about radio soon followed Despite its apparent limitations were there some advantages that radio enjoyed over the visual media In what ways for instance could it mediate genres like drama and sport which traditionally depended for their effectiveness on spectacle Scholars have also examined radio s use of words in comparison with both the image dominated media of film and television and the spatial stable medium of print Questions in radio studies also abound about the special qualities of sound em per se em such as the meaning and functions of music and the ontology of pure sound artefacts known as soundscapes a mainstay of much experimental radio br br Other lines of inquiry in the field have included investigations into the social political and cultural contexts of radio prompted by questions about for example how broadcasting should be financed and regulated and what purposes it should serve And more recently radio researchers have grappled with notions of community whether defined by geographical proximity or by commonality of identity or interest Furthermore the growth of new media technologies has profound implications for sound broadcasting How will webcasting and podcasting modify or even transform radio Indeed does the growth of interactivity including audience generated content and of time shifted listening mean the end of radio as we currently know it br br As research on and around these kinds of question continues to flourish as never before this new title in the Routledge Major Works series Critical Concepts in Media and Cultural Studies meets the need for an authoritative reference work to make sense of a rapidly growing and ever more complex corpus of literature and to provide a map of the area as it has emerged and developed It is a four volume collection of foundational and the best cutting edge scholarship in the field and is organized in three volumes br br Volume I Radio Theory and Genres assembles the key work theorizing the medium and its different kinds of contents most notably news drama and talk Much of the work gathered here is comparative setting radio and its genres in the context of the visual media of film television and theatre or the visible media of newspapers and books But the volume also includes linguistic analyses of broadcast talk and work that sees music as in some sense radiogenic and traces its relationship to popular culture The first volume also includes the best theoretical work exploring abstract sound and soundscapes br br Volume II History and Institutions collects the most important work tracing the political evolution of sound broadcasting Key topics include the development of the philosophy of public service issues of policy notably de regulation and competition and key historical phenomena such as the challenges posed by television the arrival of the transistor stereophony and FM broadcasting the proliferation of wirelesses in cars and the shift from mixed to streamed broadcasting br br Drawing on a wide range of international sources the final volume of the collection Audiences Identities and Communities and Technological Developments assembles the best scholarship not only on general radio audiences and their patterns of consumption but also focuses on the particular communities that radio seeks to address whether geographic ethnic or interest based Volume III also includes research on new technology especially in its latest manifestations in forms such as webcasting br br em Radio em is fully indexed and has a comprehensive introduction newly written by the editor which places the collected material in its historical and intellectual context It is an essential work of reference and is destined to be valued by scholars and students of media and cultural studies as well as those engaged in more specialized radio courses as a vital one stop research resource br br